A torinói ló
Béla Tarr, Ágnes Hranitzky, France, Germany, Hungary, Switzerland, 2011o
In 1889 German philosopher Friedrich Nietzsche witnessed the whipping of a horse while traveling in Turin, Italy. He tossed his arms around the horse's neck to protect it then collapsed to the ground. In less than one month, Nietzsche would be diagnosed with a serious mental illness that would make him bed-ridden and speechless for the next eleven years until his death. But whatever did happen to the horse? This film, which is Tarr's last, follows up this question in a fictionalized story of what occurred. The man who whipped the horse is a rural farmer who makes his living taking on carting jobs into the city with his horse-drawn cart. The horse is old and in very poor health, but does its best to obey its master's commands. The farmer and his daughter must come to the understanding that it will be unable to go on sustaining their livelihoods. The dying of the horse is the foundation of this tragic tale.
Ein spätes Glanzstück des ungarischen Regisseurs Béla Tarr («Sátántangó»). Gekonnt setzt er seine visuelle Signatur -- nuanciertes Schwarzweiss, lange Kamerabewegungen, repetitive Musikmotive -- ein, um Menschen ein filmisches Denkmal zu errichten, die ihre Würde behaupten, obschon Nebel und Wind in ihre Seelen gedrungen sind. Meisterhaft umgarnt die Kamera von Fred Kelemen anfangs den tierischen Titelhelden, bevor der mit dem Silbernen Bären geehrte Film am Schluss in der Dunkelheit versinkt. Laut Béla Tarr ist es sein letzter. So 12.15 Uhr.
Pascal BlumGalleryo
